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隋唐敦煌壁画语言在当代岩彩画创作中的运用研究 被引量:1

Research on the application of the language of Dunhuang frescoes in the Sui and Tang Dynasties in the creation of contemporary rock paintings
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摘要 随着当代岩彩画创作要求的不断提高,使相应的技法与语言表达面临着更高要求,有必要有效吸收借鉴隋唐敦煌壁画的语言特点,提升岩彩画创作水平。基于此,本文首先介绍了隋唐敦煌壁画语言,分析了隋唐敦煌壁画艺术与当代岩彩画的异同,并结合相关实践经验,分别从构图语言、造型语言与线条语言等多个角度与方面,探讨了隋唐敦煌壁画语言在当代岩彩画创作中的运用路径,阐述了个人对此的几点认知。 With the continuous improvement of contemporary rock painting creation requirements,the corresponding techniques and language expressions are faced with higher requirements.It is necessary to effectively absorb and learn from the language characteristics of Dunhuang murals in the Sui and Tang Dynasties to improve the level of rock painting creation.Based on this,this paper firstly introduces the language of Dunhuang frescoes in Sui and Tang Dynasties,analyzes the similarities and differences between Dunhuang fresco art in Sui and Tang Dynasties and contemporary rock paintings,and combines relevant practical experience to discuss from various angles and aspects such as composition language,modeling language and line language.The application path of Dunhuang fresco language in Sui and Tang Dynasties in the creation of contemporary rock paintings,and some personal cognitions on this are expounded.
作者 李艳艳 Li Yanyan(Linyi Cultural Center,Linyi Shandong 276000)
机构地区 临沂市文化馆
出处 《流行色》 2022年第5期97-99,共3页 Fashion Color
关键词 隋唐敦煌壁画 当代岩彩画创作 价值作用 运用路径 Dunhuang murals in Sui and Tang Dynasties contemporary rock painting creation value function application path
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