时尚的文学表征与现代性悲剧的诞生--从服饰书写解析爱玛命运的现代性内涵

Literary Representation of Fashion and the Birth of Modern Tragedy:Analyzing the Modernity Connotation of Emma′s Fate from the Angle of Clothing-writing

《包法利夫人》中运用了大量细致的服饰书写,体现了福楼拜对法国社会十九世纪初期时尚的认知与反思,也是解析爱玛命运的新视阈。服饰书写作为时尚的文学表征,是解读该小说现代性内涵的关键。法国社会现代化时期的转型状况,表现在使人的审美观念与消费行为发生一定程度的变化。爱玛处于此前人从未历经过的现代性进程中,其悲剧命运的诞生有独特的时代动因。福楼拜以《包法利夫人》形象地反映了人物命运背后受物质时尚驱动的现代性内涵,呈现了时尚具有表现人“统一化”与“区分化”内在欲求的维度。

A lot of meticulous clothing-writing is used in Madame Bovary,which embodies Flaubert′s cognition and reflection on the fashion of French society in the early 19th century,and it is also a new perspective to analyze the fate of Emma.As a literary representation of fashion,clothing-writing is the key to interpreting the modernity connotation of the novel.The transformation of French society in the period of modernization is manifested in the change of people′s aesthetic concepts and consumption behavior.Emma is in the process of modernization that has never happened before,so her tragic fate has the special reason of the times.Flaubert,in Madame Bovary,vividly shows the modernity connotation driven by material fashion behind the character′s fate,and presents the dimension of fashion showing people′s internal desire of"unification"and"differentiation".