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艺术陈列中青花瓷器修复的上色处理 被引量:2

Retouching in the restoration of blue-and-white porcelains for artistic display
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摘要 青花瓷器是中国陶瓷史上极为重要的一个门类,从真正兴起到现在,已有六百多年,留下了丰富的文化资源,各大博物馆和文物保护机构含有大量的青花瓷器。但由于瓷器易于破损,这些青花瓷往往存在破损、缺失等病害,极大地影响了陈列效果。艺术陈列修复对于破损青花瓷器重新回到大众视野起到了非常重要的作用。而青花瓷器修复中的上色处理是修复中的重点和难点,本研究通过对青花瓷器胎釉、青花钴料、青花纹饰画法、青花细节特征、破损情况等几个方面进行观察分析,提出切实可行的修复技法和修复步骤,使破损的青花瓷器得到修复,并达到陈列展览的要求。 Blue-and-white porcelain is an important category in the history of Chinese ceramics.Since its rise,more than six hundred years ago,the production of blue-and-white porcelain has left abundant cultural resources.Many museums and cultural heritage preservation institutes have huge collections of blue-and-white porcelain objects.However,due to the fragile nature of porcelain wares,these objects often suffer from deterioration including physical damage and loss,which severely affects their visual perception on display.Restoration methods for the purpose of artistic display play an important role in bringing the damaged blue-and-white porcelains back to the public’s view,of which retouching is the key,as well as a challenge.This study intends to propose practical techniques and methods for retouching of blue-and-white porcelains,through observation and analysis of the body and glaze,the raw materials of cobalt blue,the painting techniques for decorative motifs,the detailed features of decorations and the conditions of damage.It is hoped that these retouching techniques and methods will enable the blue-and-white porcelains to receive proper treatment and to meet the standards of artistic display.
作者 张力程 杨蕴 ZHANG Licheng;YANG Yun(Shanghai Museum, Shanghai 200003, China)
机构地区 上海博物馆
出处 《文物保护与考古科学》 北大核心 2022年第2期47-54,共8页 Sciences of Conservation and Archaeology
基金 江西陶瓷文物遗存保护暨御窑研究协同创新中心“青花瓷的科技检测与修复”项目资助。
关键词 青花瓷 艺术陈列 上色处理 Blue-and-white porcelain Artistic display Retouching
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