古代书论和文论中的“老”

“Lao”in Ancient Book and Literary Theory

自唐代开始在中国古代书论和文论中就存在着“老”这一审美范畴,可是当代学者对它的关注度不高。书法和文学的“老”这一审美范畴,往往和书法家、文学家年龄的老有较高的契合性,但二者亦有所差别。中国古代“老”的审美观念形成受到长期的文化习俗、哲学观念、政治制度等方面的影响。

Since the Tang Dynasty,there has been an aesthetic category of“Lao”in ancient Chinese literary theory.The aesthetic category of“old”in calligraphy and literature often coincides with that of calligraphers and litterateurs,but there are also differences between them.The formation of the aesthetic concept of“Lao”in ancient China was influenced by long-term cultural customs,philosophical concepts and political systems.