人文历史类纪录片“情景再现”手法的影像风格--以纪录片《中国》为例

Image style of scene reproduction technique in humanistic and historical documentaries--Taking the documentary China as an example

“情景再现”手法在人文历史类纪录片中通过再现历史史实的方式参与纪录片叙事,发挥着重要作用.过去,为避免影响纪录片的真实,“情景再现”的影像风格往往不受重视.针对“情景再现”的影像风格是否影响纪录片的真实性的问题,本文从纪录片的情景再现手法、影像风格化、真实性底线问题等方面进行了研究,并在影像的构图、光线处理和色彩风格方面对人文历史类纪录片《中国》中“情景再现”手法的运用进行了分析和梳理.笔者认为,影像风格的运用不会影响纪录片的真实性,反而可以增强画面的视觉表现力,为创作者提供更多叙事的手段.

The technique of scene reproduction plays an important role in the narration of documentaries by reproducing historical fects in human history documentaries.In the past,in order to avoid affecting the authenticity of documentaries,the image style of scene reproduction was often ignored.Whether the image style of scene reproduction affects the authenticity of documentaries,this paper studies from the aspects of scene reproduction techniques,image stylization,and the bottom line of authenticity in documentaries.In terms of color and style,it analyzes and sorts out the application of scene reproduction in the humanities and history documentary China.The author believes that the use of video style will not affect the authenticity of the documentary,but can enhance the visual expression of the picture and provide the creator with more means of narrative.