摘要
近年来,在影视剧生产格局中,网络文学的跨文本改编成为一种不可忽视的现象,越来越多高阅读量大IP网络文学小说被改编为影视剧.《庆余年》作为其中的佼佼者,在收获大量关注的同时也在学术界引发了激烈的讨论.本文基于空间叙事理论,探讨了影视剧《庆余年》多重空间叙事下的影像魅力和文化内涵.本文认为:将叙事空间与人物塑造相结合,有助于人物形象典型化、价值观移植及人文内涵彰显,《庆余年》对叙事空间的运用为网络小说改编影视剧提供了一个良好的范本.
In recent years,in the production pattern of film and television dramas,the cross-text adaptation of online literature has become a phenomenon that cannot be ignored.As one of the best,Joy of Ufe has attracted a lot of attention and has also sparked heated discussions in the academic circles.Based on the spatial narrative theory,this paper discusses the image charm and cultural connotation under the multiple spatial narrative of the film and television drama Joy of Life.This paper believes that the combination of narrative space and character shaping is conducive to the typification of character images,the transplantation of values,and the display of humanistic connotations.The use of narrative space in Joy of Life provides a good model for the adaptation of online novels to film and television dramas.
作者
彭勃
PENG Bo(School of Fashion Media,Jiangxi Institute of Fashion Technology,Nanchang 330201,China)
出处
《服装论丛》
2022年第1期42-46,共5页
Journal of Clothing
关键词
叙事空间
庆余年
网络IP
narrative space
Joy ofLife
network IP