摘要
泉州清净寺位于泉州涂门街,自宋元以来就是伊斯兰宗教活动的场所,其建筑制式与我国内地清真寺大相径庭。然其历经动荡、多有变迁,并非始终如一。所以分析泉州清净寺建筑的演变过程足以探明其建筑空间艺术特征产生的历史源流,推导主体建筑中存在的天圆地方、中轴对称的基本构图逻辑,以及其内在的以正方形及等边三角形为设计控制方法的艺术规律,便于理清外域文化影响下的建筑实例与我国传统建筑空间营建思想之间的关系,阐释中外建筑文化融合与交流互鉴的史实,为同类建筑设计提供基础理论与设计方法。
The Qingjing Temple located on Tumen Street in Quanzhou is the representative of the space for religious activities of the Islamic believers in our country since the Song and Yuan Dynasties. Its architectural style is quite different from that of the mosques in mainland in our country. Although it has gone through turbulence and many changes, it is not always the same.Therefore, analyzing the evolution process of Qingjing Temple in Quanzhou is enough to find out the historical origin of its architectural spatial artistic characteristics, to deduce the basic compositional logic of sky, circle, place and central axis symmetry in the main building, as well as its inherent art law of design control methods of square and equilateral triangles. It helps to clarify the relationship between architectural examples under the influence of foreign cultures and traditional architectural space construction ideas in our country, to explain the historical facts of the integration and exchange of Chinese and foreign architectural cultures, and to provide basic theories and design methods for similar architectural designs.
出处
《城市建筑》
2022年第9期146-149,159,共5页
Urbanism and Architecture
基金
教育部人文社会科学研究项目(20YJC760085)。
关键词
泉州清净寺
碑文
建筑营建史
建筑空间
Quanzhou Qingjing Temple
inscriptions
construction events
architectural space