中华民族新文化的方向——延安美术对鲁迅形象的塑造

The Orientation of the New Culture of the Chinese Nation:Formation of Lu Xun’s Images by Yan’an Art

发掘、展示鲁迅形象遗产是延安美术界的一项重要工作,众多美术家参与了这项视觉工程,由此生成了大量鲁迅图像,充盈于战时延安的文化空间中。但是鲁迅形象在延安美术中的兴起与建构至今还遗落在学界的视野之外。本文在广泛搜集鲁迅图像的基础上,择取并细读若干代表性作品,集中探察延安时期鲁迅“标准像”的木刻复制、组织化的创作方式、鲁迅形象民族化与鲁迅图像主题这4个问题,借此为理解延安美术的大众化、民族化等核心议题引入一个新视角。

Exploring and displaying the imagery heritage of Lu Xun is an important task for the Yan’an art circle.Numerous artists have been included in this visionary project and thus generating many portraits of Lu Xun which enriched the cultural environment of Yan’an in wartime.However,the emergence and forming of Lu Xun’s image in Yan’an art have been neglected by the academic circles.Based on an extensive collection of Lu Xun’s images,this paper selects and studies a number of representative works,focusing on four issues:the woodcut reproduction of Lu Xun’s“standard image”during the Yan’an period,the organized creation method,the nationalization of Lu Xun’s images,and the theme of Lu Xun’s image,to introduce a new perspective for understanding the core issues of popularization and nationalization of Yan’an art.