摘要
长期以来“西北”都是一个宏大的观看场域和对话空间,西北美术资源成为中国美术现代探索中理念变革与题材拓展的重要借鉴与载体,为现代中国美术的建构提供了学术资源与精神动力。长期生活在西北的马刚体悟着西北历史人文的精神滋养,在现实自然中融入对生命的观照,探寻着从自然山川到图式语言的个人建构。他对“西北地域”的性灵表达,关联着中国山水画的当代探索,更是他对传统的延伸与传承。
The“northwest region”has always been an epic view field and dialogue space.Northwest art resources have long been an important reference and medium for conceptual change and subject expansion in the modern exploration of Chinese art,providing academic resources and spiritual impetus for the establishment of modern Chinese art.Ma Gang,who has lived in the northwest for a long time,has understood the spiritual nourishment of the history and humanity of the northwest,incorporated the view of life in nature,and explored the personal construction from the mountains and rivers to the pictorial language.His spiritual expression of the northwest region is related to the contemporary exploration of Chinese landscape painting but also his traditional extension and inheritance.
出处
《美术》
CSSCI
北大核心
2022年第6期61-65,共5页
Art Magazine
基金
西北师范大学2020年度研究生科研项目“20世纪敦煌艺术传统元素的现代转化研究”(编号:2020KYZZ011017)。
关键词
马刚
山水画
自然
图式语言
Ma Gang
landscape painting
nature
pictorial language