摘要
全民族抗日战争和全国解放时期(以下简称“战时”),中国大地上出现了一股普希金热潮。特别是在几个重大时间节点上,普希金受到了大批战时中国文人的纪念和言说。战时中国文人的普希金纪念,一方面着力赞许普希金作品的榜样地位,其创作的民族化、大众化和现实主义的追求成了战时中国文艺发展的重要镜鉴;另一方面,又反复渲染普希金追求自由、不懈战斗的人格力量,以之作为战时中国反抗侵略、实现民族复兴的另一重榜样参照。战时中国文人的普希金纪念呈现出来的文学榜样和精神榜样的双重形象,实乃战时中国文艺的现实需求和战时中国的具体处境所激发的结果。最终,战时中国文人的普希金纪念便与战时中国的历史情态和战时中国文艺的发展诉求紧密相连。
During the war,there was a Pushkin upsurge in China.Especially at several important time points,Pushkin was commemorated and spoken by a large number of wartime Chinese literati.On the one hand,the commemoration of Pushkin by Chinese literati in wartime emphasized the exemplary status of Pushkin’s works,and the pursuit of nationalization,popularization and realism in his creation has become an important reference for the development of Chinese literature and art in wartime;On the other hand,it repeatedly exaggerated Pushkin’s personality strength of pursuing freedom and fighting unremittingly,and took it as another example for China to resist aggression and realize national rejuvenation in wartime.The dual images of literary model and spiritual model presented by the commemoration of Pushkin in wartime Chinese literati were the result of the realistic needs of wartime Chinese literature and art and the specific situation of wartime China.Ultimately,the commemoration of Pushkin by wartime Chinese literati closely related to the historical mood of wartime China and the development of wartime Chinese literature and art.
出处
《海峡人文学刊》
2022年第2期62-72,157,共12页
Journal of Humanities Across the Straits
基金
中央高校基本科研业务费专项资金资助项目“民族国家文学研究”(SWU1709103)
重庆市博士研究生科研创新项目“大后方的节庆纪念与文学镜像研究”(CYB20117)。