浅论陈丹青油画的现实主义之美——以《西藏组画》为例

On the Beauty of Realism in Chen Danqing's Oil Painting——Taking"Tibet Group Painting"as an Example

上世纪中叶,西藏作为油画题材来源地,已引起画界的广泛关注。文章以研究现实主义绘画风格为切入点,采用比较研究法,对我国近年来西藏题材油画创作做阶段性评述,通过回顾我国西藏油画创作的历史图景以及现实主义美学思想,引出油画民族化现象的学理脉络。文章重点论述陈丹青《西藏组画》的创作思想,对陈丹青《西藏组画》中现实主义创作原理的运用进行深入分析。陈丹青以其明确的创作思想、创新精神和纯正的油画语言描绘了西藏普通人民的生活情景,使中国油画创作在题材选取与绘画语境方面得到突破,冲破了文革以来“革命性”主题性创作的樊篱,形成独具一格的现实主义面貌特征。

In the middle of the last century,Tibet,as the source of oil painting subjects,has attracted widespread attention in the art world.This article takes the study of realist painting style as the starting point and adopts comparative research methods to make a staged review of the creation of Tibetan-themed oil paintings in China in recent years.By reviewing the historical picture of the creation of Tibetan oil paintings in China and the realist aesthetics,it leads to the phenomenon of nationalization of oil paintings.Theory context.The article focuses on Chen Danqing’s creative ideas in"Tibet Group Paintings",and conducts an in-depth analysis of the application of realist creation principles in Chen Danqing's"Tibet Group Paintings".Chen Danqing used his clear creative ideas,innovative spirit and pure oil painting language to depict the life of ordinary people in Tibet,which enabled Chinese oil painting creation to achieve breakthroughs in subject selection and painting context,breaking through the"revolutionary"theme creation since the Cultural Revolution.The barriers of the former have formed a unique feature of realism.