倒辞:《心灵奇旅》的反陌生化表达

Antiphrasis without Satire: the Expression of Anti-defamiliarization in Soul

《心灵奇旅》(Soul)将文学修辞中的“倒辞”转化为电影语言,呈现多维度正话反说。导演通过反英雄的人设、反梦想的主题、反常规的叙事,最终形成本片特有的反陌生化表达,给受众以亲切感,实现最大思想认同。这是文学修辞与电影语言的交互,更是皮克斯理念与中国哲学思想“反者道之动”“无用之用”“反常合道”的契合,也是该片在中国受欢迎的深层原因。可以说,《心灵奇旅》是电影叙事多元化、电影理论融合化、电影主题国际化的佳作。

Soul transforms the"antiphrasis without satire"in literary rhetoric into the film language,presenting the multi-dimensional reverse speech of the true words.Through the anti-hero design,anti-dream theme and anti-conventional narrative,the director finally forms the unique anti-defamiliarization expression of the film,which gives the audience a sense of affinity and realizes the maximum ideological identity.This is the interaction between literary rhetoric and film language,and it is also the combination of Pixar’ideas with Chinese philosophical thoughts of"anti-Tao","useless use"and"abnormal harmony of Tao",which is also the deep reason for the popularity of the film in China.It can be said that the film is a masterpiece of film narrative diversity,film theory integration and film theme internationalization.