少数民族电影报恩叙事与民族共同体意识的建构

The Gratitude Narrative in Ethnic Minority Films and the Construction of National Community Awareness

少数民族电影中的报恩叙事沿袭了主流电影中的报恩模式,但又因民族政策、社会时代、文化背景的不同,具有不同的叙事姿态、模式框架与价值诉求。少数民族电影中的报恩叙事呈现出报恩国家、感念亲恩、感恩自然的三种模式,分别彰显了少数民族对政党、国家的感恩,体现了不同民族之间的伦理温情,在表达对自然的敬畏与感恩的同时,反思人类生存的生态伦理意义。少数民族电影报恩叙事的跨民族、跨文化书写的态势,体现出报恩母题在当代的转化与重构,对铸牢民族“共同体”意识具有重要的意义。

The gratitude narrative in ethnic minority films follows the gratitude mode in mainstream films,but it acquires different narrative forms,pattern frameworks and value appeals due to different ethnic policies,social backgrounds and cultural contexts.The gratitude narrative in ethnic minority films presents three modes of showing gratitude to the nation,the family and the nature that respectively highlights ethnic minorities’gratitude to the Party and the country,illustrates the ethical warmth among different ethnic groups,and reflects on the ecological and ethical significance of human existence while expressing their awe and gratitude for the nature.The cross-ethnic and cross-cultural writing style of gratitude narrative in ethnic minority films reflects the transformation and reconstruction of the gratitude motif in the contemporary era,and it is of great significance to consolidate the national“community”awareness.