摘要
男旦是传统戏曲在特定历史时期的产物。头、足装扮是男旦最重要的化装。昆曲的高跟履、闽男旦的自幼蓄发为男旦的自然表演提供了帮助,此二种装扮比魏长生所创的跷、梳水头早出现半个多世纪。
Female Characters disguised by male performers(Nan-dan)are the product of the traditional opera in a specific historical period.For these male performers,the dress-up of head and feet is the most important makeup that can facilitate their natural performance as female characters,such as the high-heeled shoes in Kunqu Opera and the long hair growing from the early age in Min Opera.These two kinds of dress-up emerged more than half a century earlier than the stilts and opera headdresses created by WEI Changsheng.
作者
崔淑晓
CUI Shuxiao(School of Chinese Language and Literature,Hubei University,Wuhan,Hubei 430072,China)
出处
《贵州大学学报(艺术版)》
2022年第4期100-102,共3页
Journal of Guizhou University Art Edition
基金
国家社科基金重大招标项目“《全清戏曲》整理编纂及文献研究”(项目编号:11&ZD107)。
关键词
男旦装扮
高跟履
自幼蓄发
dress-up of the female character disguised by the male performer(Nan-dan)
high heels
growing long hair