摘要
陈爱中对汉语新诗语言本体有着深入的研究,其对汉语新诗语言持续性的观照,使他的诗学研究具备了别样的学术视野。在具体的批评实践中,对于批评有效性孜孜不倦的追求,使他的诗歌批评呈现出三个特点,即严谨的逻辑性、诗性的批评风格和敢于质疑的思辨性。带着这样的批评观念,他深入到龙江诗歌的现场,实现了批评经验与地域创作经验的对接,在批评与创作相互砥砺、彼此借力的互动中进行着深层次的诗学思考。
Chen Aizhong has conducted in-depth research on the linguistic ontology of new Chinese poetry.His continuous observa-tion of the language of new Chinese poetry has given him a different academic vision for his poetic research.In the specific criti-cism practice,the tireless pursuit of the"effectiveness"of criticism makes his poetry criticism show three characteristics,namelyrigorous logic,poetic criticism style and bravely questioning speculativeness.With such a critical concept,he went deep into thescene of Longjiang poetry and realized the connection between the critical experience and the regional creation experience,and car-ried out in-depth poetic thinking in the interaction between criticism and creation.
作者
朱星雨
ZHU Xing-yu(School of Literature,Harbin Normal University,Harbin Heilongjiang 150025,China)
出处
《廊坊师范学院学报(社会科学版)》
2022年第2期11-18,共8页
Journal of Langfang Normal University(Social Sciences Edition)
基金
2019年教育部人文社科项目“改革开放四十年新诗批评学术史研究”(19YJA751002)阶段性成果。
关键词
陈爱中
语言本体
汉语新诗
批评有效性
Chen Aizhong
linguistic ontology
new Chinese poetry
validity of criticism