胡缵宗《秦汉文》的编刻及其文学复古意义

The Compilation of Qin and Han Prose and its Significance on Literary Revivalism

《秦汉文》是胡缵宗于嘉靖三年(1524)刊刻于吴中的古文选本。其选文编排不同以往的选本,带有明确的流派意识,鲜明地表达了秦汉派的文章复古观。其刊刻在江南地区,集结了一批新的文学复古生力军,在李、何之后掀起了又一波文学复古浪潮,推动了江南文学复古。针对正嘉之际复古后学佶屈聱牙模拟之风,《秦汉文》调整了“文必秦汉”的学习典范,提供了“秦汉文”学习的范本,也带动了南北文风的调适。

Qin and Han Prose is the ancient text anthology printed by Hu Zuanzong in the third year of Jiajing(1524) in Wuzhong area. The selection of articles and the arrangement of the book were different from the previous ones, for its printing time, era background as well as its style have determined that it has gathered a group of new literary retro army in the Jiangnan area, and has set off another wave of literary retro after Li and He. In view of the wind of simulating " Ji Qu Ao Ya"(which means extremely suffocated,obscure and stodgy style in Chinese) at the time of Zhengjia after the retro studies,Qin and Han Prose adjusted the learning model of "Essay Only in Qin and Han", and provided a sample of Qin and Han Prose, and brought about, as well, the integration of literary ideas between the North and the South.