摘要
贾樟柯将镜头对准广大普通群众,创作了一批真实反映中国社会状况的电影,叙事沉静,语言朴实,体现了纪实美学的影像风格。在他的电影作品中,始终贯穿着对社会底层人群的关照,边缘人物的淳朴感情被表现得淋漓尽致,冷峻的现实中保持了一种温暖的基调,显示出他对现实主义的致敬,也表现了其深刻的人文情怀。
Jia Zhangke aims the camera at the general public and creates a number of films that truly reflect the situation of Chinese society with quiet narration and simple language, reflecting the image style of documentary aesthetics. In his film works, there is always the care for the people at the bottom of the society and the simple feelings of the marginal characters are expressed incisively and vividly, maintaining a warm care in the cold reality, showing his respect to realism and profound humanistic feelings.
作者
高胜利
刘玲
GAO Sheng-li;LIU Ling(School of Literature and Media,Qiannan Normal University for Nationalities,Duyun 558000,China)
出处
《湖北工业职业技术学院学报》
2022年第3期66-71,共6页
Journal of Hubei Industrial Polytechnic
基金
2020年度贵州省高等学校教学内容和课程体系改革项目“课程思政融入高校文学概论课程的教学改革研究”(2020233)。
关键词
贾樟柯
审美接受
人文情怀
叙事空间
Jia Zhangke
aesthetic acceptance
humanistic feelings
narrative space