摘要
黄信尧执导的电影《大佛普拉斯》中,除了别具特色的黑白影调运用之外,声音的叙事、抒情潜能也被创作者积极开拓。他在该片中对视觉、听觉元素进行了创造性地组合,使之成为控制信息以及观众情绪的有效手段,并基于此展开了对台湾当代底层现实的深刻书写。
In the film The Great Buddha directed by Huang Xinyao, the narrative and lyrical potential of sound have been actively explored in addition to the distinctive use of black and white shadows. In this film, the director creatively combines visual and auditory elements making them an effective means of controlling the message as well as the audience’s emotions, and based on which he gives profound description about real lives of the contemporary underclass in Taiwan.
作者
石宇宸
SHI Yu-chen(Department of Film and Television,Chinese National Academy of Arts,Beijing 100029,China)
出处
《湖北工业职业技术学院学报》
2022年第3期72-75,共4页
Journal of Hubei Industrial Polytechnic