清官式建筑彩画营造技艺复原式保护探讨——以永寿宫正殿龙凤枋心金琢墨西番莲灵芝找头和玺彩画为例

Discussion on the Restorative Protection of the Color Paintings of the Palace Buildings in the Qing Dynasty:Take the Dragon and Phoenix of Fangxin,passionflower Ganoderma by Gold-cut ink,Hexi Painting in the Main Hall of Yongshou Palace as an Example

本文以故宫博物院永寿宫正殿明间西缝天花梁西侧的龙凤枋心金琢墨西番莲灵芝找头和玺彩画为例,通过剖面显微图像分析彩画的层次结构,以推断彩画的绘制工艺;通过显微拉曼光谱分析检测所得颜料成分,以及颜料老化实验结果来确定颜料的品牌;并邀请彩画绘制工艺水平熟练和一般的两位建筑彩画工匠,对案例彩画采用原工序、传统绘制方法进行了复原式绘制。本文对两位工匠彩画绘制工艺的研究与用工用料统计,可以为与本案例相似的彩画修复工程及其预算,提供一定的参考。

This paper takes the dragon and phoenix,Fangxin,gold-cut ink,passionflower,Ganoderma lucidum,and seal painting on the west side of the ceiling of the Mingjian in the main hall of Yongshou Palace of the Palace Museum as an example,and uses the cross-sectional microscopic image to analyze the hierarchical structure of the color painting to infer the painting process.Micro-Raman spectrum analysis to detect pigment components,pigment aging test results to determine the pigment brand,invite two skilled and ordinary architectural color painting craftsmen to use the original process and traditional drawing method to restore the case color painting.The statistics of the labor and time spent by the two craftsmen on the color paintings are intended to provide a reference for the restoration project budget of the color paintings with the same shape as this case.