汪曾祺小说“城乡关系”的书写嬗变——《羊舍一夕》《河上》《受戒》的并置解读

The Writing Evolution of Wang Zengqi’s Novel“Urban-Rural Relationship”--Taking The Night in the Sheep House,On the River,The Love Story of a Young Monk for Example

汪曾祺作为一位体量巨大、作品横跨现当代的乡土作家,始终以其强烈的人文关怀与动态的城乡审美观念对不同时期的城乡社会进行书写。以《羊舍一夕》为切入点,比照不同时代创作的《河上》《受戒》等作品并剖析作家不同阶段的城乡叙事姿态,可以看到汪曾祺在一以贯之的展现人文生态乡村世界的同时,克服了其早期反现代性思维下的城乡二元对立叙事,使其对城乡关系的书写在不断完善中走向成熟。

Wang Zengqi has always written the urban and rural society in different periods with strong humanistic care and continuous breakthrough of urban and rural concepts.Taking the novel The Night in the Sheep House as the breakthrough point,this paper analyzes the writer’s urban and rural narrative attitude at different stages by comparing two novels On the River,and The Love Story of a Young Monk in other periods.The conclusion is that Wang Zengqi always pays attention to the rural world from the perspective of humanitarian and ecological aesthetics,and constantly breaks through the urban-rural dual narrative under the early anti-modern thinking.