战争语境与旧体诗革新——大文学视野下的怀安诗社及其创作

War Context and Innovation of Old Style Poetry—Huai’an Poetry Society and its Creation from the Perspective of Great Literature

1941年9月成立的怀安诗社是延安时期颇有影响的旧体诗词社团。延安文艺座谈会之后,为了使怀安诗社的旧体诗更为广泛地被理解和接受,以李木庵、林伯渠等为代表的怀安诗人响应文艺大众化号召,从语言、内容、形式等方面入手,积极对旧体诗进行了革新。但是即便经过了深度革新,怀安诗仍旧未能达到诗社同人们的预期目标。通过辨析文学与现实、新观念与旧形式的复杂联系,考察《解放日报》“怀安诗选”专栏的设立与取消,可以看到怀安诗人们的旧体诗创作不仅呈现着新、旧文学间的冲突与耦合,而且彰显了战争语境对文学书写的突显与压抑。

Huai’an Poetry Society, founded in September 1941, was an influential old style poetry society in 1930s. After the Yan’an Forum on Literature and Art, Huai’an poets represented by Li Mu’an and Lin Boqu responded to the call of literature and art popularization, and actively innovated the old style in aspects of language, content and form in order to make the old style poems better understood and accepted by general masses of workers and peasants.Even though, Huai’an styled poetry failed to achieve the expected goal. This paper analyzed the complex relationship between literature and reality, and new ideas and old forms, from the perspective of great literature, and investigated the establishment and cancellation of the column "Selected Poems of Huai’an Style" in Liberation Daily, indicating that the creation of the old style poetry presents the conflict and coupling between new literature and old literature and also highlights the prominence and suppression of literary writing in the context of war.