摘要
歌剧中主线人物的性格塑造及戏剧矛盾冲突的设置与解决,是歌剧成功与否的重要因素。本文以金复载作曲,游暐之编剧的大型原创歌剧《天地神农》为分析对象,从歌剧的戏剧结构入手,进一步分析了主人公“神农”音乐的“咏叹性”楔形布局;配角“伯强”对“神农”音乐的反衬建构;以及配角“听訞”对“神农”音乐的陪衬建构。全文从以上三个部分对歌剧《天地神农》主线人物音乐的戏剧性织构特征进行了分析与论述。
The main characters’character shaping and the setting and resolution of dramatic conflicts are important factors for the success of opera.Taking the large-scale original opera Shennong heaven and earth composed by Jin Fuzai and You Weizhz as the object of analysis,this paper analyzes the wedge-shaped composition of the music by the hero Shen Nong from the perspective of the opera’s dramatic structure.The supporting role"Boqiang"to"Shen Nong"music contrast construction;and the supporting role of"Listen to Yao"against the music of"Shennong.This paper analyzes and discusses the dramatic texture characteristics of the main character music in this opera from the above three parts.
出处
《乐府新声(沈阳音乐学院学报)》
2022年第2期23-29,共7页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
2021年辽宁省高等学校基本科研项目(重点项目)《中国与世界的别样对话——中国当代室内歌剧艺术特色研究》(LJKR0479)的阶段性成果。
关键词
歌剧《天地神农》
咏叹性
楔形布局
反衬建构
陪衬建构
Opera Shennong of Heaven and Earth
Aria
Wedge-shaped Layout
Contrast Construction
Foil Construction