摘要
海外中国音乐研究是凭藉海外学者视角对中国音乐文化展开的研究。随着中国国际地位的不断攀升,海外中国音乐研究已成为一个颇受瞩目的领域。对此畛域展开研究,可以镜为鉴,拓宽我国学者的理论叙事视野,砥砺自身学术进步。可知己知彼,真正促进一场富有成效的中西音乐对话。本文借助汉学界的研究理路,拟对海外中国音乐研究的历史阶段划分、研究对象、研究进路等方面做引介性概述,考察其历史进程与衍化,探询其研究路径与特点,从而释读其所隐喻的社会语境、社会身份以及文化价值观等。
The study of Overseas Chinese music is the study of Chinese music culture from the perspective of overseas scholars.With China’s rising international status,overseas Chinese music research has become a very popular field.Research in this field can be used for reference,broaden the theoretical narrative vision of Chinese scholars,to strengthen their own academic progress.You can know both ourselves and our adversaries,and really promote a productive dialogue between Chinese and Western music.This paper,with the help of the research principles of sinology,aims to introduce the division of historical stages,research objects and research methods of overseas Chinese music research,investigate its historical process and evolution,inquire into its research path and characteristics,and interpret its metaphorical social context,social identity and cultural values,etc.
出处
《乐府新声(沈阳音乐学院学报)》
2022年第2期63-72,共10页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
辽宁省教育厅2020年度科学研究经费重点攻关项目《互联网语境中的中国传统音乐文化的传承与教学创新研究》(2020SYZ01)阶段性研究成果
2020年度教育部人文社会科学研究一般项目《中国专业音乐教育发展研究》(20YJA760085)阶段性研究成果
沈阳音乐学院2020年度院级科研项目《一带一路背景下的法国汉学与中国音乐文化研究》(2020YLY12)阶段性研究成果。
关键词
海外中国音乐研究
历史阶段
研究进路
文化呈现
Overseas Chinese music research
historical stage
research methods
cultural presentation