从《中花六板》陈永禄演奏谱看江南丝竹中二胡演奏的加花与装饰

The Ornamentation of Jiangnan Silk and Bamboo Music:A Perspective of Chen Yonglu’s Interpretation of Zhonghua Liuban

文章以江南丝竹名家陈永禄所演奏的《中花六板》为研究对象。通过分析其与母曲的关系,总结出三种不同的类型,并对演奏谱中三处母曲中的“字”发生改变的原因作出解释。结合陈永禄演奏谱对传统江南丝竹乐中二胡演奏中常用的各种装饰技法进行探讨,归纳出三种不同的装饰目的。通过对演奏谱中形成的“特性音调”进行深入、全面的研读,借用“叙事学”中“叙事动力”的概念,提出加花演奏谱中的内在叙事逻辑,从而为学习者更为深入地把握江南丝竹音乐演奏风格提供帮助。

This article examines the music sheet of“Zhonghua Liuban”(Moderately Ornamented Six Beats)played by erhu player Chen Yonglu,a famous Jiangnan silk and bamboo ensemble master.Firstly,it analyzes the relationship between “zhonghua Liuban”and its archetypal tune,and then classifies it into three different types.Particularly,it explains the varied reasons for the changes.Secondly,based on Chen Yonglu’s music score,this article then discusses various ornamentations of erhu performance in the Jiangnan silk and bamboo music and its three key purposes.Finally,through an in-depth and comprehensive study of the typical tune in Chen’s music score,the article explores the narrative logic in his performance from the perspective of narrative dynamics to provide learners with a wide better understanding of Jiangnan silk and bamboo music performance.