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指向人类学的影像民族志——基于“深耕”影像民族志工作坊(第一期)的讨论 被引量:1

Photographic Ethnography Pointing to Anthropology:A Discussion Based on the “Deep Ploughing” Photographic Ethnography Workshop(Phase Ⅰ)
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摘要 在当前影像民族志爆发式发展之际,重新提出并思考影像民族志如何接入人类学的问题,事关学科本身的定位与发展。以近期的一次影像民族志工作坊内容为案例,我们将中国影像民族志从表达形式的角度概括为感受记录式影像民族志、观察式影像民族志、反思式影像民族志和表现式影像民族志四种样式。在区分人类学和民族志的意义上,这些作品探索了影像民族志走向人类学的两个相互关联的面向,一是介入对象,二是介入影像。
作者 谢勇 朱晓阳 Xie Yong;Zhu Xiaoyang
出处 《民族艺术》 CSSCI 北大核心 2022年第3期125-133,共9页 National Arts
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