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主旋律与弱平衡:多重视角下的抗战时期晋察冀边区戏剧

Theme and Weak Balance:The Drama in Shanxi Chahar Hebei Border Area During the Chinese People’s War of Resistance Against Japanese Aggression From Multiple Perspectives
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摘要 抗战时期的晋察冀边区戏剧,在对民众进行思想教育和政治动员中具有独特优势,对动员民众支持、参与中共革命发挥了巨大作用。边区戏剧的独特优势和巨大作用,源于其革命、娱乐、艺术的多重属性。革命属性,决定着晋察冀边区戏剧应服从和服务于现实需要,成为中共革命的有力推手;娱乐属性与革命属性相互依存、交融共生,但也存在着相互排斥一面;戏剧的艺术价值与革命属性如何取舍、二者关系如何处理,在晋察冀边区长期存在分歧和争论。总体而言,在多重因素的影响和制约下,晋察冀边区戏剧在高扬着革命主旋律的同时,也兼顾了戏剧的娱乐属性和艺术价值,使革命、娱乐、艺术三重属性维系着某种程度的动态弱平衡,从而使其在满足民众精神文化需求的同时,也极大地配合与推动了各项工作,为中共革命的成功作出了重要贡献。 The drama in Shanxi Chahar Hebei border region during the Chinese People’s War of Resistance Against Japanese Aggression had unique advantages and played a great role in Mobilizing the people to participate in the revolution of the Communist Party of China.The unique advantages and great role of the drama originated from its multiple attributes.The revolutionary attribute determined that it should obey and serve the needs of the reality and become a powerful force for the revolution of the Communist Party of China.Entertainment attribute and revolutionary attribute were interdependent,blended and symbiotic,but were also mutually exclusive.There had been long⁃standing differences and debates on how to choose and deal with the relationship between revolutionary attribute and artistic value.In general,under the in⁃fluence and restriction of multiple factors,while holding high the revolutionary theme,the drama in Shanxi Chahar Hebei border region took into account the entertainment attribute and artistic value.As a result,the drama met the spiritual and cultural needs of the people,coordinated and promoted various work,made important contributions to the success of the Chinese Communist revolution.
作者 郑立柱 Zheng Lizhu
出处 《广东社会科学》 CSSCI 北大核心 2022年第4期103-112,287,288,共12页 Social Sciences in Guangdong
基金 国家社会科学基金项目“晋察冀边区戏剧与民众动员之关系研究”(项目号17BZS082)的阶段性成果。
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