“非遗”视角下的广灵八角地木偶戏保护与传承

The Protection and Inheritance of Bajiaodi Puppet Show in Guangling County from the Perspective of"Intangible Cultural Heritage"

广灵八角地木偶戏属杖头木偶,具有一定的稀缺性。剧种形成时间以“清初说”较为准确。木偶集泥塑、雕刻、美术等为一体,经“三雕七画”制作而成。演出以传统古装戏为主,分遮挡式和开放式,可自由切换。剧种目前遇到资金不足、后继乏力等困难。应深入挖掘、整理,建立基金制度,走文旅结合之路,加强偶戏人才培养,积极申报惠民工程。

Guangling Bajiaodi puppet show belongs to stick puppet show,which is scarce to some extent.It is more accurate to say that it has been formed since early Qing Dynasty.The puppet integrates clay sculpture,carving and art together,and is made after"three carvings and seven paintings".The performance,mainly based on traditional costume opera,is divided into occlusion type and open type,which can be switched freely.At present,the show is confronted with difficulties such as insufficient funds and successor.It is necessary to dig the connotation and further sort out the shows,establish a fund system,combine culture with tourism,strengthen the training of puppet talents,and actively apply for projects benefiting the people.