摘要
中华民族伟大复兴在于中华文化的复兴,而民艺是民族文化的重要基础。张道一先生早在20世纪后半叶就已然开始了民艺学的深入研究,他从辩证唯物主义历史观的角度重塑了民间文化的地位,为厘清民间艺术的边界与范畴,以及在现代化语境下进一步发展民艺及其学科指明了方向。
The great revival of the Chinese nation lies in the rejuvenation of Chinese culture, and folk art is an important foundation of the Chinese national culture. As early as in the second half of the 20th centur y, Mr. Zhang Daoyi began his in-depth study of folk art. He reshaped the status of folk culture from the perspective of dialectical materialism, pointing out the direction for clarifying the boundaries and categories of folk art and further developing folk art and its disciplines in the context of modernization.
作者
邵陆芸
韩超
ShaoLuyun;Han Chao
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2022年第3期112-118,I0003,共8页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
浙江省哲学社会科学规划课题“文旅融合视角下浙江传统食俗文化考察及其创意设计研究”(20NDJC189YB)的阶段性研究成果。
关键词
文化理想
复兴
张道一
民艺学
cultural ideal
revival
Zhang Daoyi
Folk Art