岭南诗学与清诗写作困境:梁九图《十二石山斋诗话》述论

The Dilemma of Lingnan Poetics and Qing Poetry Writing:Comments On Liang Jiu-tu’s Poetry of the Twelve Shishan Zhai

在清代的近千种诗话中,梁九图的《十二石山斋诗话》名气不大,却具有不菲的学术价值。它以诗存人、因诗申论,视性情为诗歌的本源,重视诗人的主观修养;在学古的前提下,极意求新,还提出叠法、不露、议论等诗法;它延续岭南诗歌的传统,重视雄直诗风,同时推举清超拔俗的美学风格。《十二石山斋诗话》对于研究道光朝诗学,以及岭南诗学的发展完善具有较大的积极意义。

In the Qing Dynasty,Liang Jiu-tu’s Poetry of The Twelve Shishan Zhai is less distinct,but is of great academic value.It seeks to remember poets through one’s poems,elucidates theory through poetry,regards Xingqing as the origin of poetry,and highlights the subjective cultivation of poets.Under the premise of learning from the ancient,it strives for novelty while putting forward the stack,implication,discussion and other approaches in poetry;It inherits the tradition of Lingnan poetry,attaches importance to the straight poetic style,and promotes the aesthetic style of the Qing.Therefore,it is of great positive significance to the study of Daoguang poetics and the development and perfection of Lingnan poetics.