摘要
源起于清末民初的厦门珠绣拖鞋凭借其独特的造型、丰富的纹样与绚丽的色彩,曾在20世纪成为闽南地区特色产品远销海外。厦门珠绣拖鞋造型与纹样,承载着手工艺人对中国传统手工技艺与传统吉祥纹样的传承与信念。闽南传统刺绣技艺与纹样通过海上丝绸之路传播至东南亚等地,并与当地文化特征结合,在珠绣上留下两地海丝文化交融的印记。通过系统分析厦门珠绣拖鞋的造型、纹样及色彩,深入探究其美学特征,在展示珠绣拖鞋独特艺术魅力的基础上,推动厦门珠绣在海丝文化新时代下的传承与发展。
Xiamen’s bead-embroidered slippers, which originated in the late Qing Dynasty and the early Republic Period, were once sold overseas in the 20 th century as special products in southern Fujian due to their unique shapes, rich patterns and brilliant colors. The shape and pattern of Xiamen beaded slippers bear the faith of handicraftsmen in the inheritance of traditional Chinese handicrafts and traditional auspicious patterns. The traditional embroidery skills and patterns of southern Fujian were spread to Southeast Asia and other places through the Sea Silk Road, and combined with the local cultural characteristics, it leaves the imprint of the fusion of the two Sea Silk cultures on the bead embroidery. Through systematic analysis of the shape, pattern and color of Xiamen beaded slippers, in-depth exploration of its artistic characteristics, on the basis of showing the unique artistic charm of beaded slippers, the paper aims to promote the inheritance and development of Xiamen beaded embroidery in the new era of Sea Silk Road culture.
作者
刘炼
卢新燕
LIU Lian;LU Xinyan(Straits Institute,Minjiang University,Fuzhou 350108,China;School of Art and Design,Guang Dong University of Technology,Guangzhou 510090,China)
出处
《东华大学学报(社会科学版)》
2022年第2期47-55,共9页
Journal of Donghua University:Social Science
基金
2019年国家社科基金艺术学重大项目“设计美学研究”(项目编号:19ZD23)
2015年国家社科基金艺术学一般项目“海丝文化视角下闽南‘非遗’渔女服饰研究”(项目编号:15BG104)。
关键词
厦门珠绣
珠绣拖鞋
美学特征
海丝文化
Xiamen bead embroidery
bead embroidery slippers
aesthetic characteristics
Sea Silk Road culture