“他者”与“自我”的变奏:《和汉朗咏集》中的日本汉诗

The Variation of the“Other”and“Self”:The Japanese Chinese Poetry in He Han Lang Yong Ji

《和汉朗咏集》是日本平安时代一部具有独特文学史意义的文学作品选集,它同时收录中日两国作家、汉日两种语言的作品,将中国诗文、日本汉诗文与日本和歌建立在“他者”与“自我”的整体框架之中,显现出多层面的“和汉并列”表征下的文化交融与竞争。日本汉诗在《和汉朗咏集》中不仅数量居各类文体之首,而且从形式和内容两个方面连接、协调、模糊了外来文学与本民族文学之间的二元对立,实现了异质文化的价值意义,成为日本汉诗“他者想象”与“自我建构”的一个缩影。

He Han Lang Yong Ji(A Collection of Japanese and Chinese Lyrics)is a selection of literary works of the Japanese Heian period with unique significance of literary history.It includes the works of both Chinese and Japanese languages by the writers of both countries.It puts the Chinese poem and prose,the Japanese Chinese works and the Japanese waka in an overall framework of“the other”and“self”,showing multifaceted“bilingual”characterization of the culture exchange and competition.The Japanese Chinese poetry in this collection not only ranks first of all kinds of style in quantity,but also connects,coordinates the foreign and domestic literatures and blurs the binary opposition between the two in terms of both forms and contents,thus to realize the value meaning of the heterogeneous culture,becoming the microcosm of“the image of others”and“construction of self”in the Japanese Chinese poetry.