贵州民间鼓吹乐阴阳文化研究

Study on the Culture of Yin and Yang in the Folk Wind and Drum Music in Guizhou

在鼓吹乐里用阴阳形式进行表达,这在贵州民间各民族的鼓吹乐文化中是非常普遍的现象。高低八度的纵向结合是表达阴阳关系最常见的手段,多音程的表达方式将阴阳关系的结合给予多元性拓展。在具体的音乐表现里,动与静、简与繁、高与低、同度与多声、分与合等互为依存的阴阳矛盾关系在鼓吹乐里得到有机组合。由此与“天人合一”观念产生高度契合,这是贵州鼓吹乐不可忽略的深层文化内涵。

It is a common phenomenon in various ethnic wind and drum music in Guizhou that the wind and drum music is expressed in the form of Yin and Yang. A common way to express the relationship of Yin and Yang is the vertical integration of ottava alta and ottava bassa. The expression of multi musical interval provides diverse extension of the integration of the relationships of Yin and Yang. In a specific musical expression, several relationships of Yin and Yang are organically combined in the wind and drum music, such as dynamic and static, simple and complicated, same degree and multi-voice, divergence and integration, and so on. Therefore, this is in line with the idea of “harmony between nature and human”, which is a deep cultural connotation of the wind and drum music in Guizhou.