绝对电影,绘制动画与实验图形电影

Absolute Film, Paint-on-glass Animation, and Experimental Graphic film

20世纪初期先锋派画家将绘画与电影相结合的种种实践,对早期艺术电影的蓬勃发展有着不可忽视的启发和影响。无论是以图形和节奏为中心的绝对电影,还是探寻胶片与绘画、雕塑技法融合的绘制动画,都创造了不同于静态绘画,也不同于实景电影的独特艺术形式。这些作品在本体论层面上彰显了早期电影的丰富面向。在客观性、写实性成为主流话语推崇的电影美学特质之前,先锋艺术家在第七艺术中更看重的显然是主观性、精神性和观念性的维度。

In the early 20 th century, a group of avant-garde artists made various attempts to combine painting and film, which led to the first period of prosperity of art film. Different approaches, including absolute film which focuses on abstract pattern and rhythm of movement and paint-on-glass animation which explores the fusion of film, painting and sculpture, have created unique art forms that distinguish themselves from both live-action film and static painting. These works demonstrate the diversity of early film on an ontological level. Before that objectivity and realism are considered to be the main aesthetical properties of the seventh art, what avant-garde artists praise are precisely the dimension of subjectivity, spirituality and conceptuality of film.