从视窗到声象:界面影像的呈现与控制

From “Visual Windows” to “Audio-Vision”:The Presentation and Control of Interface Image

随着日常屏幕经验的拓展与媒介化生存体验的丰富,电子在场状态下的媒介深度融合不断颠覆传统影像模式。以抽象界面语言进行视听呈现的“声象”,刷新着以桌面电影中“视窗”“弹框”为代表的媒介语言,改写着人类中心主义的感官基因与媒介文化。当人物成为光点,姓名成为符码,讯息成为声波,媒介的延展在信息叙事中重塑人类的感知模式;时空、感官与主体的断裂在后人类话语中开启“人成为媒介的延伸”的后人文主义观念。

With the update of daily screen experience and the abundance of mediated living, the media convergence under the electronic presence overturns the traditional presentation mode. In the deeper integration of interface image, the audio-vision image appears in abstract interface language, led by the informational narration in voice. It refreshes the media language based on “virtual windows” and it changes the sensorial gene and media culture based on anthropocentrism. When figures become light dots, names become codes, messages become the acoustic wave, the feature of the visual system turns from “desktop” to “interface”. The extension of media rebuilds the perception, mind and relation mode of humans. The fracture of spacetime, sense and subject presents the conception from “media as the extension of man” to “ humans as the extension of media”.