《隐入尘烟》:高台叙事与土地史——李睿珺访谈

Narrative of Hometown and History of Land: An Interview with Li Ruijun, the Director of Return to Dust

李睿珺新作《隐入尘烟》是2022年中国电影的重要收获。同他的大多数作品一样,本片也是方言电影,并持续关注土地问题。《隐入尘烟》和李睿珺的其他影片一起构成了以影像书写的中国当代土地史、村庄史。本次采访回顾了李睿珺的6部长片,从中发现了他创作的一致性和整体感,并着重探讨了《隐入尘烟》的创作过程。这部影片不仅描写了乡村社会的外部变迁,还拍出了土地的神圣与活力,将土地和人的关系生动地展现了出来。

Li Ruijun’s new work Return to Dust is an important achievement of Chinese films in 2022. Like most of his works, this film is also a dialect film, and continues to focus on “land”. Return to Dust, together with other films of Li Ruijun, constitutes the contemporary Chinese land and village history written in images. This interview reviewed Li Ruijun’s six feature films, found the consistency and integrity of his creation, and focused on the creative process of Return to Dust. The film not only describes the external changes of rural society, but also captures the sanctity and vitality of land, and vividly shows the relationship between land and people.