摘要
“神经—影像”是数字影像时代的媒介景观,联结了德勒兹哲学与神经科学。精神分裂分析是神经—影像的重要理论来源,神经—影像中存在谵妄、幻觉与情动三重力量。德勒兹“大脑即银幕”的论断,为神经—影像提供了“不可见”的媒介形态的支撑,使影像以一种新的方式在神经—影像中延续,电影不会在数字影像时代消亡;VR由于无银幕属性与具身性,是“大脑—银幕”的理想呈现方式。德勒兹的三重时间综合构成神经—影像的基础。
Neuro-image is the media landscape in the age of digital imagery that connects Deleuze philosophy with neuroscience. Schizoanalysis is an important theoretical source of neuro-image, which has the triple forces of delirious insights, illusionary realities and affective truths. Deleuz’s judgment of brain is screen, provides the support of invisible media form for neuro-image, making the image continue in a new way, and film will not die in the digital image era;VR is an ideal presentation of brain-screen because it has no screen and embodiment. Deleuze’s triple time synthesis forms the basis of neuro-image, especially the third time synthesis is the ontology of neuro-image.
出处
《电影艺术》
CSSCI
北大核心
2022年第3期106-115,共10页
Film Art
基金
北京市社科基金规划项目“XR科技与北京文化创意产业融合发展研究”(批准号:21YTC039)阶段性成果。