摘要
小海的诗歌表现时间形式非常有意味,其“绝对化的时间”“静止的时间”和“沉重的时间”所支撑的艺术空间充溢着哲学之思。“绝对化的时间”,即“理想的时间”,是探索生命本源的时间,是一种假设的时间,在小海的诗歌中呈现的形式是对自然的眷恋与打量。“静止的时间”,即“现实的时间”,是书写生存状态的时间。“沉重的时间”是一种“纠结”与过渡的时间,是一种等待填充的时间,也是充满矛盾和张力的暧昧不明的时间,其显形需要借助某种“中介物”实现。三种时间交相辉映,共同建构了小海诗歌的审美空间。
The time form in Xiao Hai’s poetry is very meaningful.The artistic space supported by his“absolute time”,“static time”and“heavy time”is full of philosophical thoughts.“Absolute time”means“ideal time”,which is the time to explore the origin of life.It is a hypothetical time.In Xiao Hai’s poems,it takes the form of nostalgia for nature.“Static time”is the“real time”,which is the time to portray the living state.“Heavy time”is a kind of“tangled”and transitional time,a time waiting to be filled,and an ambiguous time full of contradictions and tensions.Its manifestation needs the help of some“intermediary”.The three kinds of time add radiance to each other and jointly construct the aesthetic space of Xiao Hai’s poetry.
作者
田忠辉
TIAN Zhonghui(Creative Culture and Writing Research Center,Guangdong University of Finance and Economics,Guangzhou 510320,China)
出处
《苏州教育学院学报》
2022年第3期21-26,共6页
Journal of Suzhou College of Education