小海:偏移的口语诗学

Xiao Hai:An Offset of Colloquial Poetics

在中国当代的口语诗谱系中,小海的口语诗是一种“转场”的口语诗,具有另开一路的意味,不断呈现出新的变化与突破,从形式到内涵一直都处在创新与探索中。他回避激进的写作路径,不走极端,讲究节制的美德和艺术的圆融之美。往更深层看,“偏移”的口语诗学、“中间”的先锋诗学、“兼容”的本土化诗学,是小海口语诗创作所包含的三个具有内在联系的维度,也是其口语诗创作所体现出来的整体追求。

In the pedigree of contemporary Chinese colloquial poetry,Xiao Hai’s colloquial poetry is a kind of“transitional”colloquial poetry,which has the meaning of opening a new path,constantly showing new changes and breakthroughs,and has been in the process of innovation and exploration from forms to contents.He avoided the radical writing approach,went to no extremes,and paid attention to the virtue of moderation and the beauty of artistic harmony.Seen from a deeper point of view,the“offset”colloquial poetics,“the middle”pioneer poetics,and the“compatible”localization poetics are the three intrinsically linked dimensions contained in Xiao Hai’s poetry works,and are also the overall pursuit embodied in his colloquial poetic writings.