中国书法创作中的“风格”与“习气”关系探析

On the Relationship between"Style"and"Habit"in Chinese Calligraphy Creation

中国书法创作中的风格与习气呈现为极为复杂的辩证关系,风格一般表示书法创作的成熟状态,习气一般用以形容创作中的负面惯习,二者之间存在美和非美的根本区分。但实际上风格与习气之间呈现非常复杂的关系,历代书法名作也有被后世指称为习气,习气也有个体诠释偏见产生的认知。真正的书法家站在书法审美的高度,客观理性辨析风格和习气,促使创作中的习气朝向成熟风格的转化和超越。客观审视风格和习气的辩证关系,触及到书法美学、书法本体论、书法社会学等极为广阔的层面,有助于立体全面深刻认识中国书法发展的本质规律。

There is an extremely complex dialectical relationship between style and habit in Chinese calligraphy creation.Style represents the mature state of calligraphy creation from the perspective of commendation.Habit is generally used to describe negative habits in creation.There is a fundamental distinction between beauty and non beauty.But in fact,there is a very complex relationship between style and habit.Famous calligraphy works of all dynasties have also been referred to as habit by later generations,and habit also has the cognition of individual interpretation bias.Real calligraphers stand at the height of calligraphy aesthetics,objectively and rationally distinguish styles and habits,and promote the transformation and Transcendence of habits in creation towards mature styles.An objective examination of the dialectical relationship between style and habit touches on the extremely broad aspects of calligraphy aesthetics,calligraphy ontology and calligraphy sociology,which is conducive to a three-dimensional,comprehensive and profound understanding of the essential law of the development of Chinese calligraphy.