吴冠中水墨画在解构主义服装中的应用研究

Research on the Application of Wu Guanzhong’s Ink Painting in Deconstructive Clothing

吴冠中在20世纪后期的中国画坛中具有无可替代的地位,其水墨作品既继承了中国优秀传统的艺术精神,又结合了西方艺术的表达方式,具有抽象化、形式化、装饰化的艺术特点,与解构主义形式有着内在联系。从两者共性入手,分析了吴冠中水墨画与解构主义服装结合的意义,通过案例梳理了服装设计师们在解构主义理念下的创作经验,总结出六种常见的解构主义应用方法,旨在探讨吴冠中水墨画在解构主义服装中的应用。

Wu Guanzhong has an irreplaceable position in the Chinese painting world in the late 20th century. His ink works not only inherit the artistic spirit of Chinese excellent tradition,but also combine the expression of Western art. They have the artistic characteristics of abstraction, formalization and decoration, and have an internal relationship with the form of deconstruction. Starting from the commonness of the two, this paper analyzes the significance of the combination of Wu Guanzhong’s ink painting and deconstructive clothing, combs the creative experience of fashion designers under the concept of deconstruction through cases, and summarizes six common application methods of deconstruction, in order to explore the application of Wu Guanzhong’s ink painting in deconstructive clothing.