超越与内在的统一--以存在女性主义分析《聊斋志异》中的侠女形象特征

The Unity of Transcendence and Immanence--An Existential Feminist Analysis of the Characters of Chivalrous Women in Strange Stories from a Chinese Studio

西蒙娜·波伏娃存在女性主义代表作《第二性》中论述了超越性与内在性两个概念。《聊斋志异》中侠女的形象具有超越性与内在性统一的特征,超越性体现在对个体、群体的超越,即不断追求更高的个体价值以及突破群体对女性的偏见;内在性体现在对三纲五常的严格遵守以及儿女情长;超越性与内在性统一于家国并重的社会观念以及刚柔并济的行侠之路。超越性指向“此者”,内在性指向“他者”,二者在侠女形象上得到了有机融合。

The second sex,Simona’s masterpiece of existential feminism,discusses the concepts of transcendence and internality.The images of chivalrous women in Strange Stories from a Chinese Studio have the characteristics of the unity of transcendence and immanence,which is embodied in the transcendence of individuals and groups,that is,the continuous pursuit of higher individual value and the breakthrough of group prejudice against women;Internality is embodied in the strict observance of the three cardinal principles and the five virtues,the unity of transcendence and internality in the social concept of the state,and the way of chivalry.Transcendence points to"This one"and internality to"The other",which are organically integrated in the images of chivalrous women.