矛盾扭曲的性格,悲剧失衡的人生--《洛丽塔》中亨伯特主体心理结构探究

Contradictory and Distorted Character,Tragic and Unbalanced Life--A Probe into the Psychological Structure of Humbert’s Subject in Lolita

《洛丽塔》是弗拉基米尔·纳博科夫一部备受关注与争议的作品,作品当中虽透露了纳博科夫对弗洛伊德精神学说的讽刺,但随着精神分析学内容的不断丰富,拉康的主体理论为研究《洛丽塔》提供了新的视角.男主人公亨伯特的主体心理结构从三个层面展开--—镜像时期原始幻想的展露,想象界中精神幻想的欢愉,象征界下肉体需要的餍足,在主体心理结构的映照下,可以窥见亨伯特为了满足其主体欲望,在实在界、想象界、象征界中矛盾扭曲的心理建构历程及无法摆脱的悲剧命运.自白结尾他借助“艺术”作为能指符号,将象征界内嵌入实在界,最终回归于实在.

Vladimir Nabokov’s Lolita is of much concern and controversy.Despite representation of Nabokov’s satire on Freud’s psychoanalytic theory,with the enrichment of psychoanalysis,Lacan’s subject theory provides a new perspective for study of Lolita.The main psychological structure of the male protagonist,Humbert is showcased from three aspects:representation of the original fantasy in the mirror stage,pleasure of the spiritual fantasy in the imaginary,satiety of the bodily need in the symbolic.In the light of the main psychological structure,Humbert’s psychological construction process of contradiction and distortion in the real,the imaginary and the symbolic to satisfy his subject’s desire and the tragic fate that he could not get away from are discovered.At the end of the confession,he uses"art"as a signifier to embed the symbolic into the real and finally returns to the real.