论绘画构成形式与色彩的人类学意涵呈现——兼及象征与隐喻的研究

The Representation of Anthropological Meaning with Form and Color in Composition of Paintings——With Also A Discussion on Symbol and Metaphor

在绘画色彩及关系理论的框架下,如果运用人类学、社会学的跨学科视角和美术史论家的观点来审视中西著名艺术家的作品及《囍临门》画作,探究这些画作的构成形式细部,及其在象征和隐喻之下人的生活、情感、精神与文化表达,能够使作品中的人类学意涵得以较完整呈现。这样的探究,必然激发横向学科之间进一步的跨学科思考。

Within the framework of color and relational theory of painting,the use of multi-dis⁃ciplinary perspectives like anthropology,sociology and and art history in the inspection of paintings by Chinese and Western artists,such as Double Happiness at the Door,particularly with regards to their details of composition,their representation of the life,sentiments,spirit and culture of people shown as symbols and metaphors may better bring out their anthropological meaning.Such explorations will definitely invoke more meaningful interdisciplinary thinking.