摘要
唐代虽有琴谱存世,据其还原唐乐却几无可能,当今演奏的《幽兰》,充其量只是现代人的诠释。但日本存有至少800年前编纂的雅乐古谱,将其与遣唐使带回日本的乐谱乐书及动态传承的雅乐综合考究,极有可能还原唐代琴乐。文章聚焦平安末期藤原师长(1138—1192)记写的乐谱《三五要录》《仁智要录》,通过丝丝入扣的缜密解析,认为其中的琵琶曲《石上流泉》与筝曲《千金调》实为两首唐代琴曲,昭示利用日本雅乐古谱解释唐代音乐的可能性。
Focused on the notations of Sango Yoroku and Jinchi Yoroku by Fujiwara(1138-1192)in the late Heian Period,as well as with a meticulous analysis,the author makes a conclusion that the pipa piece Flowing Spring over Stones and the zheng piece The Mode of Senkin are actually adapted from two Tang qin pieces.That sheds light on the possibilities to interpret Tang music out of Japanese gagaku tablatures.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2022年第1期76-82,共7页
Art of Music(Journal of the Shanghai Conservatory of Music)
