传统内嵌、想象力平民化与现实空间逃逸--中国电影“想象力消费”的当代社会文化心理与症候

Traditional Embedment,Imagination Popularization and Actual Space Escape-The Contemporary Social and Cultural Psychology and Symptoms of Chinese Film“Imagination Consumption”

“想象力消费”是对中国电影市场正在崛起的魔幻、奇幻和科幻电影类型的一次学术提炼和回应,也是极具未来性的学术发现。“想象力消费”电影具有以消费为旨趣的想象力机制、非纪实影像、虚拟仿真与超现实性等审美文化特征;中国古典哲学、玄幻文学、古典诗词蕴含着丰富的想象力基因,这些构成了中国电影丰富的“想象力消费”的文化土壤。中国“想象力消费”电影现象凸显了当代中国的社会文化心理与症候:中国传统文化以内嵌的方式正在重塑文化身份,想象力平民化的集体狂欢与圈层部落化的身份再编码,社会集体意识弥漫着对现代国家、资本和人类中心主义的反思与批判,想象力电影为观众打开了一种从现实生存空间逃逸的情绪疏解和代偿性满足的通道。

“Imagination consumption”is an academic refining and response to the rising fantasy,fantasy and science fiction film genres in the Chinese film market,and also an academic discovery of great future.“Imagination consumption”films has characteristics such as the imagination mechanism, which supported by consumption, non-documentary images, imagestyle of virtual simulation and surrealism. Chinese classical philosophy, fantasy literature and classical poetry comprise rich imagination genes, which constitute the cultural soil for the rich imagination consumption of Chinesefilm. The film phenomenon of “ imagination consumption” in China clearlyshows the social and cultural psychology and symptoms of contemporary China: Chinese traditional culture is reshaping the “cultural identity” in an embedded way, the collective carnival of imagination popularization and the recoding of circle tribal identity, the social collective consciousness is filledwith reflection and criticism on modern state, capitalism and human centralism, and the imaginative film opens a channel for the audience to escape theemotional relief and compensation satisfaction of the actual survival space.