显影·互动·遮蔽:20世纪70年代香港电影中的城市与文化

Appearance,Interaction,Concealment:City and Culture in Hong Kong Films of the 1970s

考察20世纪70年代的香港电影,过往的研究基本上围绕着武打、喜剧、色情片展开讨论,忽视了对彼时片厂之外的香港城市景观与城市文化的历时性分析。本文通过重识20世纪70年代香港电影,发觉彼时香港电影的城市性非常显见,并在城市生产与城市社会现实的有机互动中,标识出了香港文化的内在转型,显现出了时代进步性;同时,70年代香港电影的城市性,也存在着历史语意下的遮蔽性景观。从香港电影发展脉络中考察,其处于从传统到现代的过渡转型中,成为香港电影进入80年代后全面城市化与现代化的前奏。

Inspect Hong Kong films of the 1970s,previous researches basically focused on Kungfu,comedy,and pornography films,ignoring the diachronic analysis of Hong Kong’s urban landscape and urban culture outside the studio at that time.Through relearning of Hong Kong films of the 1970s,I found the real-life city space of Hong Kong became very visible,In the organic interaction between city production and city social reality,it represents the interal transformation of Hong Kong’s culture,and indicates the progressiveness of the times.At the same time,the urbanity of Hong Kong films of the 1970s also has concealment in certain situations. From the perspective ofthe development of Hong Kong films, it is in the transition from tradition tomodernity, becoming Hong Kong films entering the prelude to comprehensiveurbanization and modernization of the 1980s。