“神思”“气韵”“风骨”与六朝诗画会通考辨

A Comprehensive Study of“Shen Si”,“Qi Yun”,“Feng Gu”and Poetry and Painting in the Six Dynasties Period

刘勰的《文心雕龙》包含大量艺术范畴,为洞察刘勰的知识谱系提供了宝贵的线索。纵观全书,可以发现这些范畴,许多化用自绘画领域,如“神思”“气韵”“风骨”等。探寻这些具体的艺术范畴在诗论与画论之间的流转,并结合魏晋时期世情时序,可以对六朝时期诗画相互影响、诗论画论相互交融的情况加以考辨,亦可探赜魏晋六朝诗论画论之间的融会贯通。

The Literary Mind and the Carving of Dragons by Liu Xie contains a large number of artistic theories,which provides valuable insights into Liu Xie’s knowledge genealogy.Many of the artistic theories in the book such as“Shen Si”,“Qi Yun”,“Feng Gu”,etc.originated from the field of painting.By exploring the use of these artistic theories in poetry and paintings in their specific historic settings,we can study and compare the interplay of poetry and painting and the blending and integration of poetry theories and painting theories in the Six Dynasties period.