论王德威华语语系文学思想的建构——以《华夷风起:华语语系文学三论》为中心的考察

On David Der-wei Wang’s Thoughts of Chinese Literature——Focusing on“Sinophone:Three Theories of Sinophone Literature”

王德威的《华夷风起:华语语系文学三论》一书开创且系统性地论述了华语语系文学的观念,爬梳各界对海外华文和中国文化及文学的想象,和而不同的让华语语系文学不必依附于中国大陆学界所倡导的世界华文文学门下。文章从该书论述的逻辑线索出发,提炼出王氏在书中体现的温和的后殖民观念和空间构建观,并结合他的其他作品,思考了其华语语系文学思想的可行性。

David Der-wei Wang’s“Sinophone:Three Theories of Sinophone Literature”has started and systematically discussed the concept of Sinophone literature and has drawn the imagination of overseas Chinese and Chinese culture and literature,so that Sinophone literature does not have to be attached to the world Chinese literature advocated by the Chinese mainland academic circles.Based on the logic clue of the book,this paper abstracts the moderate post-colonial concept and space construction concept embodied in Wang’s book,and tries to think about the feasibility of his Chinese literature thoughts in combination with his other works.