凯瑟琳·曼斯菲尔德与现代主义文学杂志——追求艺术自治的艰难旅程

Katherine Mansfield and Modernist Literary Magazines:A Perilous Voyage for Artistic Autonomy

本文通过布迪厄提出的文学社会学研究方法,再现了凯瑟琳·曼斯菲尔德通过参与文学杂志实践,追求艺术自治的艰难旅程。起初,曼斯菲尔德以社会主义刊物《新时代》供稿人的身份,与社会主义艺术一起站在了资产阶级艺术的对立面。而后,她以更加前卫的方式,在野兽派刊物《节奏》上表明了她和资产阶级艺术与社会主义艺术的双重决裂。最后,她以评论家的身份在《雅典娜》上发表了一系列书评,阐释了她的现代主义美学思想。曼斯菲尔德通过文学形式的创新,引领了一场现代主义文学运动。

The sociology of literature,a methodology proposed by Pierre Bourdieu,sheds light on the perilous voyage Katherine Mansfield has made in pursuit of artistic autonomy through interaction with literary magazines.Mansfield’s first resisting stance is made by her alliance with social art against bourgeoisie art in New Age.This revolutionary gesture is pushed further by her declaration of double rupture with both bourgeoisie art and social art in fauvist magazine Rhythm.Eventually,she elaborates her modernist aesthetics through her book reviews in Athenaeum.Her pursuit of innovation in literary forms has made a great contribution to the modernist movement.