清末民初奉天女性性别价值体系考述——以《辽宁府县志辑·艺文志》女性群像为例

Exploration of Fengtian women’s gender value system in the late Qing Dynasty and the early Republic of China--A case study of the women’s portraits of The Art and Literature’s Records of Liaoning Province

《辽宁府县志辑·艺文志》是奉天下层士人编撰的文学作品集,其中关于女性的作品主要有女主墓志碑铭与诗词赋,均属东北乡土文学。礼俗民风与长者经验是社会性别价值体系建构的决定性因素。编撰者以民风与世道的关怀视角形塑墓志碑铭女主群像,再现底层女性生存与发展史实,期望借女主群像的道德自律励风化俗,导引世风回归真淳朴厚。本文以此文学文献为依据,遵循女性心理需求,从综合辩证视角挖掘女主群像负载的为他人、宗族、国家的三维性别角色及其独立自尊的主人翁意识,探寻清末民初奉天女性性别价值体系构成,兼论新旧转型历史节点之际新文化建构中的思维同质性问题。

The art and literature’s Records of Liaoning Province is a collection of literary works compiled by scholars from the lower class.The literature about women mainly includes“female owner’s epitaphs”and poetry,both of which belong to Northeast Local Literature.Etiquette,customs and the elder experience are the decisive factors in the construction of the gender value system.From the caring perspective of folk customs,the compilers shape the images of the epitaphs’female owners,reappear the historical facts of the survival and development of the women at the bottom of the society.It is expected to guide the world style to return to the truth and simplicity by using the women’s moral self-discipline to change the customs.Based on the literature and women’s psychological needs,from a comprehensive dialectical perspective,the paper digs into the gender value of the women from three-dimensional aspects that is for others,clans and countries.The paper also finds the consciousness of independence and self-esteem,explores the composition of Fengtian women’s gender value system in the late Qing Dynasty and the early Republic of China,and discusses the problem of thinking homogeneity in the construction of new culture at the historical time of the transformation between the old and the new.